| Esa-Pekka Salonen | / Musikalische Leitung |
| Simon McBurney | / Inszenierung |
| Rebecca Ringst | / Bühne |
| Christina Cunningham | / Kostüme |
| Leah Hausman | / Co-Regie/Choreographie |
| Gerard McBurney | / Dramaturgie |
| Vitalij Kowaljow | / Fürst Iwan Chowanskij |
| Thomas Atkins | / Fürst Andrej Chowansky |
| Matthew White | / Fürst Wassily Golizyn |
| Andrè Schuen | / Schaklowityi |
| Ain Anger | / Dosifej |
| Nadezhda Karyazina | / Marfa |
| Finnish Radio Symphony Orchestra |
| Slowakischer Philharmonischer Chor |
| ----- ----- |
| ----- ----- |
| Wolfgang Ablinger-Sperrhacke | / Ein Schreiber |
| Bachchor Salzburg |
MODEST MUSSORGSKY (1839-1881)
Musical folk drama in five acts
Text after VLADIMIR V. STASSOV by the composer
New version using the orchestration by Dmitri Shostakovich and Igor Stravinsky / Maurice Ravel, supplemented by a bridge by the composer Gerard McBurney.
| Esa-Pekka Salonen |
| Jasmin White |
| Chor des Bayerischen Rundfunks |
| Finnish Radio Symphony Orchestra |
| Mané Galoyan |
GUSTAV MAHLER
Symphony No. 2 in c minor
»Auferstehungssymphonie«
| Esa-Pekka Salonen |
| Senja Rummukainen |
| Finnish Radio Symphony Orchestra |
ESA-PEKKA SALONEN
Cello Concerto
JEAN SIBELIUS
2nd Symphony in D major Op. 43
| Tabita Berglund |
| Sondra Radvanovsky |
| Seokjong Baek |
| Simon Keenlyside |
| Mozarteumorchester Salzburg |
Excerpts from:
PETER I. TCHAIKOVSKY
“Eugen Onegin”
ANTONÍN DVOŘÁK
“Rusalka”
PETER I. TCHAIKOVSKY
“Pique Dame”
UMBERTO GIORDANO
“Fedora”
GIUSEPPE VERDI
“Macbeth”
UMBERTO GIORDANO
“Andrea Chénier”